Dispersion of a Work of Art – Adam Marczyński, Tadeusz Kantor, Karol Broniatowski

The article is an analysis of selected works art Polish artists the 1970s: compositions by Adam Marczyński from Variable series (the second half 1960s and 1970s), Multipart action Tadeusz Kantor (1970) figures Karol Broniatowski (from Threat Big Man series, 1976-1977), in which title dispersion understood as a consequence disintegration prototype initiating further journey its already emancipated components. material turn perspective was also referred to analysis: Bruno Latour's non-anthropocentric Actor-Network Theory (ANT), according it can be assumed that work creator constitute certain social network within all “actors” function on equal terms community “humans non-humans”, well anthropological theory Alfred Gell, who proposed replacing study object carrier symbolic meanings with relations, trying answer questions about motives contexts “makers” (artists) their production “indexes” (works art). In study, act initial ordering system subsequent – assessed concept entropy, derived field physics, measure degree disorder given opposite, negentropy